Every Heart

After 4 weeks off stage, I found myself back in my favourite place again this week. On a stage, behind a piano, doing what I do that makes me me. I’ve missed it. In the grand scheme of things, four weeks is not a long time but it was necessary for me to mentally disconnect from performing for a few weeks. I only realised how necessary when I got back on that stage.

I’ve spent the last few weeks writing, doing studio sessions, planning my touring schedule for the year… so yeah, basically working… although I did manage to take a week break in Cape Town. I did some living, fell in love with new music and beautiful spaces, debated the meaning of life, challenged myself to dream bigger and believe more, and breathed in the epic novel that is my life. And then I closed a chapter of my life that I didn’t realise was still ever so slightly ajar – the chapter of my life that wrote my first album. I process my life through my music and after two years of living that album and everything it represented, two years of promoting the open-heart surgery that made me a complete person again, I didn’t realise that there was one final step to really moving on from that part of my life. Realising that I’ve become indifferent. Not to the moments, or the life that I lived, or the love that I lost – I can’t deny the value of those things, because in denying them, I would deny a part of myself and who I’ve become. But I’m finally indifferent to the players in that story, myself included, or at least who I was back then. I’m not a big fan of indifference. I’m big on passion and feeling completely with your entire being, so when I was confronted by indifference, it surprised me, to say the least. But in this case it’s necessary for closure, and for once in my life, to just feel nothing after feeling far too much.

So I found myself back on stage with this story that I wrote a lifetime ago and I realised that I’m so often disconnected from myself as a songwriter, in that I only fully understand what I’m on about when the smoke has cleared much later on. Every Heart has always been one of my favourite songs from my first album. It’s a song about hope and shared experience, about the idea that everyone suffers heartache but every heart heals eventually. I’ve always understood that the idea of shared experience is supposed to help, but in that moment, you believe with all your heart that no one else understands what you’re going through. Heartache is a universal affliction. The intensity and circumstances vary, but it is essentially the same for everyone and people have survived it since the beginning of time (well, most have). And you can’t deny that it’s comforting to know that you don’t suffer it alone. I honestly didn’t believe that I would ever get over the heartache that I felt so intensely, and then I wrote a song about every heart finding its way, almost like I was writing a song to myself, hoping that it might be true. And it is. It always is. It’s funny what we believe about ourselves in those moments when we think there is no hope. It took me years to really hear that song, and it’s never rung so true to my heart before.

As I sat on that stage, back in my authentic space, I realised how much I’ve grown as a performer in the last four weeks, by being off the stage. I have never played so passionately, believed so much, or been so thankful for who I’ve become. “It’s true what they say. Everyone has a broken heart and every heart has broken a little before, but I believe that a broken heart will always find its way.” ~ Every Heart, Shannon Hope

2011, According to Shannon Hope

I’ve never been a big fan of New Year. I’ve always found it to be a little anti-climactic, and I guess part of me feels that the concept is all wrong. I don’t like the idea of waiting for a new year to begin so that you can start doing something new with your life. It’s like waiting until Monday to start a new diet or start going to gym. What are you waiting for? People sum up their lives and worth into years that are either good or bad, and we try to convince ourselves that a new year will bring something different, something better… But at the end of the day, it’s another collection of days that I want to count for something. Just like yesterday did… I think it’s important to look back at where you’ve come from though. It puts things into perspective and helps to account for what you’ve achieved (and for what you haven’t) and allows you to give credit to yourself where it’s due. Dividing that account into years makes good bookkeeping sense, so here goes…

I started off the year just like the year (and days) before, with a plan to keep my head down and keep on trucking, and boy, did I truck! Covering almost 35,000km around the country, I played 84 shows, in beautiful spaces to audiences who wanted to listen and in the wrong kinds of spaces for audiences who ended up listening, and some who didn’t; I heard someone cover one of my songs for the first time; I made mistakes that made me stronger; I made mistakes I’m sure I’ll make again; I watched some of my best friends get married and fall in love all over again; I played half a show with an almost full band (and definitely need to do more of that); I missed birthdays but I made it home in time for Christmas; I caught my first sunset from the top of Signal Hill; I met beautiful people whom I now call friends and reconnected with old friends who I’m lucky enough to see on a regular basis; I collaborated with artists from Argentina in an outdoor spectacle that blew my mind; I visited a studio in a township shack which gave me a new respect for artists who believe; I watched Tori Amos and Michelle Shocked live, two artists whose music my sister played non-stop when I was growing up; I discovered new artists who spoke for my heart; I launched my second album and got play listed on radio; I sold out of stock at a show and was spoilt by Kawai with a new stage piano that makes me smile every time I play it; I shot my first music video and experienced my first casting; I celebrated two years fulltime; I worked too many 16 hour days and played too little actual music; I drove beautiful new routes, discovered new places, fell in love with towns I’d never heard of and sold out a show in the middle of nowhere; I got stuck in a herd of sheep; I discovered the Overberg; I discovered Hogsback; I was charged by a seal; I went 4×4ing on dunes and fell in love with a little red Jeep; I challenged my Durbanness in mid-winter in Grahamstown, again, and lost to a chest infection, but won an Ovation Award; I climbed lighthouses and stood at the foot of Africa where the two oceans meet; I felt lonely and hopeless but was reminded that these things always right themselves, and they did; I ticked off dream #1 on the wishlist and played a grand piano onstage; I played in my dream space against the most magnificent backdrop I could imagine and got a standing ovation that has made my heart shine. I cried and laughed and lived a dream…

And I’ll keep doing it all and dreaming bigger. I cannot put into words what it’s like to live a dream. I can only tell you that the moments leading up to it, the moments that build it – every tear, every smile, every encouragement and criticism, every heartbreak, victory and disappointment, and every sacrifice you’ve ever made – are entirely worth it. It’s like finally arriving home to yourself. Thanks for listening and happy New Year, Rockstars. I hope that all your days are full of the things that your dreams are made of.

In Studio, with Jim Faulds

I’m on my way back to Durban after another crazy cool (albeit brief) trip to Cape Town. I was booked for a day in studio doing session work on an album by a singer-songwriter named Jim Faulds. I met Jim at one of the shows on my November tour to Cape Town and he mentioned wanting to collaborate sometime in the future. Little did I know but that future was less than a month away…

I haven’t had a chance for much studio collaboration because I’ve been so busy on my own stuff, but this is definitely my kind of music, so when I got a call out of the blue last week for a collaboration, and realised that it all fitted so perfectly into my schedule, I jumped at the chance immediately (besides, how could I say no to a trip to Cape Town?!). His vocal quality and phrasing remind me of Glen Hansard (The Frames / The Swell Season / one of my favourite people), who was responsible for the ‘Once’ soundtrack, which was huge inspiration for me when I recorded my first album. Dig it.

Studio is my favourite musical space to be in so with a huge grin on my artist heart, I joined the expert talents of Barry van Zyl (drums), Schalk Joubert (bass), and Carl Wegelin (guitar), lead by Jim on acoustic & vocals, for a day at The Rooftop Recording Studio in St James. The day was basically one big jam session of two tracks and they’re totally rad. I can’t wait to hear the finished product and am too stoked to have been involved in the process.

The timing of this trip also coincided with a friend’s tenth wedding anniversary celebration I would otherwise have missed, complete with ridiculously talented magician, face painting, belly dancers, photo booth and, of course, unlimited bubbles, at the ubercool Tjing Tjing on Longmarket Street. So after a pretty rock ‘n roll two days, it’s a bittersweet smile accompanying me home…

Here’s a little preview of what to expect from Jim Faulds… you’ll hear more as soon as I do!

The Drake Music Festival

I’ve just got back from the inaugural Drake Music Festival. The brainchild of South African singer-songwriter Josie Field, it was an absolute honour to be a part of what is a ridiculously rad music festival in the perfect setting in Rosetta, a quaint little town in the heart of the KZN Midlands.

With a crazy cool lineup of some of South Africa’s hardest-working acoustic artists, and a passionate crew, this festival is set to become a landmark event on the year-end calendar. After an epic 8 hour marathon of acoustic radness, the ‘Drake Hour’, a spur of the moment collaboration of jams between artists in various incarnations, ended the event off sublimely. Thanks to John Ellis for jamming a rad version of Billie Jean with me. Despite going blank on the second verse, it was quite possibly the best version I’ve ever had the pleasure of singing. And a huge shout out to Josie Field for creating this platform, and for putting it together so exquisitely. Massive respect.

Do not, under any circumstances, miss The Drake Festival next year!

Non-Stop Epic

Seven weeks, 18 shows and 7,127km later, and I’m back home, already planning the next tour. I had an epic adventure with a dream-come-true launch at The Fugard Theatre and I’m looking forward to realising so many more dreams in the new year… but this one’s not over yet!

The next 10 days are going to be non-stop epic. This weekend I join some incredible talent in the KZN Midlands for the inaugural Drake Music Festival alongside some of my favourite people in the business. I’ve been booked for some studio work back in Cape Town next week (LOVING my life right now!), so I’ll be checking out the mountain for a few days before jetting back to Durbs in time for the official Durban launch of “Fight A New Day”, a 3-night theatre run at The Catalina Theatre leading up to Christmas. So excited to play to my homies!

Post-non-stop-crazy, I plan on sleeping in (there’s been far too little of that going on the last few months), chilling and writing for a few weeks before another year of crazy, intense dreaming begins.

A Tour That Dreams Are Made Of

Sunset, R44 South

This was my eleventh tour to Cape Town and it still surprises me. This city has totally stolen my heart. The thing about tours to Cape Town is that it doesn’t seem to matter how hard I’m working, it never really feels like work in the true sense of the word.

Kicking off a tour in Cape Town by playing my dream gig in my dream venue ensured that this was going to be the most epic tour thus far (you can read about that here if you haven’t already). It also meant that any gigs I’d booked at venues that didn’t measure up would hit harder than they usually do. I always book a few gigs on these tours that pay a guarantee to ensure that I can cover the cost of the tour, but they are predominantly “background music” gigs, not shows, and they do nothing for my reputation and even less for my emotional well-being, so this is going to have to change. I’m tired of compromising my worth.

But it’s been an epic six weeks that I can’t truly put into words to fully capture the magic of it all. I really do love this crazy intense life, and for all its toil, I wouldn’t give it up for anything. I made some great contacts and rad friends; played in some beautiful spaces to audiences who wanted to listen and heard inspiring stories from people who heard their truth in my songs. I launched an album in my dream venue, was treated like a Rockstar, got play listed on radio and sold out of album stock at a show; and was thoroughly spoilt by Kawai with a new stage piano which is even better than the last one (didn’t think that was possible!). I drove beautiful roads like the R44 south from Somerset West to the Overberg (epic view!); went 4×4ing on the Atlantis Dunes; climbed the Slangkop Lighthouse in Kommetjie and climbed into the light (don’t tell the keeper!); was charged by a seal during a run on Blouberg Beach (not something everyone can say!); jumped around on old vintage cars at the Wijnland Auto Museum (I heart vintage cars); experienced my first casting for an ad; shot my first music video; watched Tori Amos rocking two pianos simultaneously and finally saw Yoav’s live set. I watched the sun set over the sea after running into the wind on numerous occasions; and I even managed to take a day off somewhere in the middle and did absolutely nothing for an entire day… and I get to dream a little bigger for what comes next, with thanks to a few people who are making a difference, simply by listening and believing. I’m living a dream. Thank you.

Lights, Camera, Action. Finally.

You’d think that someone who’d been in the industry for 12 years would’ve had the opportunity to shoot a music video by now… Not for lack of trying, but these things cost money, and realistically, touring and albums must take priority.

So when I got a call from an ex-Durbanite, who’s recently relocated to Cape Town, about shooting a music video for a ‘varisty project while I’m here, an artistic exchange of sorts, I jumped at the opportunity. Did you say free video? Yes please!! And so, during an already epic tour to Cape Town, I also shot my very first music video, for On Second Thought… coming soon.

A few behind-the-scenes shots, courtesy of Belia Oh

What I’m Listening To: Florence + The Machine

Florence + The Machine - Ceremonials

It was like slow, painful torture waiting for this album to arrive at my door. A friend had sent me the link to the new single weeks before release and I had that ridiculously rad song on repeat all day for a week. Not kidding. When I like something, I milk it for all its incredible worth, and Shake It Out is a song that never tires.

When the album finally arrived, I’d built up huge expectation, which can be a dangerous thing, but this album did not disappoint. Not even in the slightest. I did have to listen to it a few times before the huge expectation was met and then exceeded but I think this is just one of those albums. It’s so epic in sound and production and songwriting, that it takes a few listen to fully grasp. And my artist mind is still blown.

It’s difficult to pick favourites off this album as so many of these songs speak to where my heart is right now… amongst those Shake It Out, No Light No Light, Heartlines and What The Water Gave Me. It’s a beautiful thing to have someone speak for your heart, and she does it so eloquently.

What Dreams Look Like

The Fugard Studio, 5 November 2011

This is what my dream looks like. There aren’t enough words in the English language to describe what it was like to finally live this day, the epic experience of performing in my dream space on a Kawai grand piano to celebrate the launch of an album that has been a year in the making, what it felt like to watch it all unfold in front of my eyes. It all still feels very surreal. But it happened. I know it did. There are pictures. And if it’s possible, that space gets more beautiful every time I see it…

I’ve been dreaming about this moment since the beginning, and I can finally justify the sleepless nights wondering if I would ever make this music thing work, the tears and frustration at hitting my head against the same seemingly immovable wall that is this industry. Don’t get me wrong, I realise that at the core of it, I’ve been living the dream since I first took that terrifying fulltime leap, and I’ve had so many epic moments that I wouldn’t change for the world, but it certainly hasn’t been an easy dream to keep believing in. This is the show that I want to perform, and until now I’ve settled for whatever venue I could get, desperately trying to make ends meet, because I believed that eventually I would get to this place.

I arrived at The Fugard Theatre to flowers in the dressing room, my name engraved on the door, and a flurry of last minute activity by an unbelievably dedicated crew. It made what I do feel significant. It made me feel significant. And it made everything I’ve been working so hard towards, feel completely worthwhile. It’s strange for me, after missioning around the country on my own for so long, to have a team of people behind me, believing in me, so passionate and excited, and working so incredibly hard to make my dream a reality. I didn’t have to handle my own press and media, or set up my own sound, or operate it from the stage, or carry a piano, put up posters or sell my own merchandise… it was all done for me. The countless 16 hour days doing admin prep behind releasing the album and setting up this launch show, the months of planning, plotting and dreaming of this moment, the magnitude of which I only really understood as the lights dimmed and I walked onto that stage… it was all about to explode into 1½ hours of epic reality. For those that were there, that moment of silence sitting at the piano smiling before I started, was me realising a dream, realising that I was in it. That was me pinching myself…

I cannot put into words what it’s like to live a dream. I can only tell you that the moments leading up to it – every tear, every smile, every encouragement and criticism, every heartbreak, victory and disappointment, and every sacrifice you’ve ever made – fade into a single, perfect, epic moment. Like magic. It’s beautiful. It’s like finally arriving home to yourself. I walked onto the perfect stage, played a grand piano lit to perfection against the most beautiful backdrop I could imagine, and lived my dream performance to a standing ovation that has made my heart shine. To the Fugard Theatre and everyone who shared this perfect night with me, from the bottom of my heart, thank you for believing, thank you for listening, and thank you for making this dream beautiful and real.

Fight A New Day

Fight A New Day is out now. I’ve been waiting to say those words for months, and finally have the intense satisfaction! And it feels pretty darn epic…

I still had a day job when my first album arrived by courier and I still clearly remember that moment and how it felt. This time was no less life-altering and profound. This album represents so many things for me, not the least of which is the accomplishment of getting to this point. On my own.

I remember looking forward at this giant, seemingly insurmountable dream that I had of pursuing music fulltime… I remember countless conversations with family and friends about this seemingly irresponsible decision to quit my day job and give this dream thing a real chance (the doubt was all me, by the way, everyone else was 100% behind the idea from the start)… I remember how terrified I was, how doubtful I was… and I remember how much I wanted it. I remember holding that finished product in my hands, so proud and excited and hopeful and so utterly terrified to believe.

And here I am, two and half years later, holding chapter 2 in my hands. Proud and excited and hopeful, and so thankful that I took the chance to believe in something with everything I am.

So with a giant smile plastered across my face, I’m thrilled to announce that Fight A New Day is out now.

The official album launch takes place at The Fugard Theatre in District Six, Cape Town on Saturday 5 November. Tickets available from Computicket. Album available from all shows and in Look & Listen stores nationwide later this week. Postal orders available by email (shannonhope@rocketmail.com). Digital downloads available from iTunes.