Tag Archive for 'music'

Every Heart

After 4 weeks off stage, I found myself back in my favourite place again this week. On a stage, behind a piano, doing what I do that makes me me. I’ve missed it. In the grand scheme of things, four weeks is not a long time but it was necessary for me to mentally disconnect from performing for a few weeks. I only realised how necessary when I got back on that stage.

I’ve spent the last few weeks writing, doing studio sessions, planning my touring schedule for the year… so yeah, basically working… although I did manage to take a week break in Cape Town. I did some living, fell in love with new music and beautiful spaces, debated the meaning of life, challenged myself to dream bigger and believe more, and breathed in the epic novel that is my life. And then I closed a chapter of my life that I didn’t realise was still ever so slightly ajar – the chapter of my life that wrote my first album. I process my life through my music and after two years of living that album and everything it represented, two years of promoting the open-heart surgery that made me a complete person again, I didn’t realise that there was one final step to really moving on from that part of my life. Realising that I’ve become indifferent. Not to the moments, or the life that I lived, or the love that I lost – I can’t deny the value of those things, because in denying them, I would deny a part of myself and who I’ve become. But I’m finally indifferent to the players in that story, myself included, or at least who I was back then. I’m not a big fan of indifference. I’m big on passion and feeling completely with your entire being, so when I was confronted by indifference, it surprised me, to say the least. But in this case it’s necessary for closure, and for once in my life, to just feel nothing after feeling far too much.

So I found myself back on stage with this story that I wrote a lifetime ago and I realised that I’m so often disconnected from myself as a songwriter, in that I only fully understand what I’m on about when the smoke has cleared much later on. Every Heart has always been one of my favourite songs from my first album. It’s a song about hope and shared experience, about the idea that everyone suffers heartache but every heart heals eventually. I’ve always understood that the idea of shared experience is supposed to help, but in that moment, you believe with all your heart that no one else understands what you’re going through. Heartache is a universal affliction. The intensity and circumstances vary, but it is essentially the same for everyone and people have survived it since the beginning of time (well, most have). And you can’t deny that it’s comforting to know that you don’t suffer it alone. I honestly didn’t believe that I would ever get over the heartache that I felt so intensely, and then I wrote a song about every heart finding its way, almost like I was writing a song to myself, hoping that it might be true. And it is. It always is. It’s funny what we believe about ourselves in those moments when we think there is no hope. It took me years to really hear that song, and it’s never rung so true to my heart before.

As I sat on that stage, back in my authentic space, I realised how much I’ve grown as a performer in the last four weeks, by being off the stage. I have never played so passionately, believed so much, or been so thankful for who I’ve become. “It’s true what they say. Everyone has a broken heart and every heart has broken a little before, but I believe that a broken heart will always find its way.” ~ Every Heart, Shannon Hope

A Tour That Dreams Are Made Of

Sunset, R44 South

This was my eleventh tour to Cape Town and it still surprises me. This city has totally stolen my heart. The thing about tours to Cape Town is that it doesn’t seem to matter how hard I’m working, it never really feels like work in the true sense of the word.

Kicking off a tour in Cape Town by playing my dream gig in my dream venue ensured that this was going to be the most epic tour thus far (you can read about that here if you haven’t already). It also meant that any gigs I’d booked at venues that didn’t measure up would hit harder than they usually do. I always book a few gigs on these tours that pay a guarantee to ensure that I can cover the cost of the tour, but they are predominantly “background music” gigs, not shows, and they do nothing for my reputation and even less for my emotional well-being, so this is going to have to change. I’m tired of compromising my worth.

But it’s been an epic six weeks that I can’t truly put into words to fully capture the magic of it all. I really do love this crazy intense life, and for all its toil, I wouldn’t give it up for anything. I made some great contacts and rad friends; played in some beautiful spaces to audiences who wanted to listen and heard inspiring stories from people who heard their truth in my songs. I launched an album in my dream venue, was treated like a Rockstar, got play listed on radio and sold out of album stock at a show; and was thoroughly spoilt by Kawai with a new stage piano which is even better than the last one (didn’t think that was possible!). I drove beautiful roads like the R44 south from Somerset West to the Overberg (epic view!); went 4×4ing on the Atlantis Dunes; climbed the Slangkop Lighthouse in Kommetjie and climbed into the light (don’t tell the keeper!); was charged by a seal during a run on Blouberg Beach (not something everyone can say!); jumped around on old vintage cars at the Wijnland Auto Museum (I heart vintage cars); experienced my first casting for an ad; shot my first music video; watched Tori Amos rocking two pianos simultaneously and finally saw Yoav’s live set. I watched the sun set over the sea after running into the wind on numerous occasions; and I even managed to take a day off somewhere in the middle and did absolutely nothing for an entire day… and I get to dream a little bigger for what comes next, with thanks to a few people who are making a difference, simply by listening and believing. I’m living a dream. Thank you.

Lights, Camera, Action. Finally.

You’d think that someone who’d been in the industry for 12 years would’ve had the opportunity to shoot a music video by now… Not for lack of trying, but these things cost money, and realistically, touring and albums must take priority.

So when I got a call from an ex-Durbanite, who’s recently relocated to Cape Town, about shooting a music video for a ‘varisty project while I’m here, an artistic exchange of sorts, I jumped at the opportunity. Did you say free video? Yes please!! And so, during an already epic tour to Cape Town, I also shot my very first music video, for On Second Thought… coming soon.

A few behind-the-scenes shots, courtesy of Belia Oh

Hearing The Song

“I discovered my true love for music

only when I discovered I could connect with any of it

if I just got myself out of the way.”

- Stuart Muller, August ‘11 -

Stuart is an old friend from ‘varsity, and when he muttered these wise words the other day, they really hit home with me. I’ve been thinking a lot recently about how I experience music, how I listen to it, how I watch it… I ANALYSE. And it’s very much a case of me, the musician, being in the way of the music.

When you – the audience – hear a song, you hear the song. You don’t hear the parts that make up that song. Not at first anyway. The melodies, the beat, the sneaky hooks, they all mould into one unified piece of magic that you hear in one glorious entirety. When you watch live music, you don’t notice the brown notes here and there, the small glitches given away by that look on a musicians face that only a musician knows, you won’t think the sound guy must be deaf or wonder why on earth the lights were set like that. If something is wrong with the sound, the musicians in the audience will notice it first, and very often they’re the only ones who do… And you’ll watch your favourite artists on stage just being awesome.

Musicians don’t hear music like other people do, like their audiences do. They hear the elements that make it up. When I hear a new song, generally the vocals stand out first because I’m a vocalist, the hooks will grab me, and then I’ll hear each layer of instruments that carefully sits one on top of the other and I’ll carefully disect where and how each one fits. But I never hear the song. Just the song. Listening back to my new album, I wish I could hear it as a whole so that I could hear it the way my audience will. I hear every note of every instrument so clearly but so separately. It’s the one thing about what I do that frustrates me. I will never hear my music like you do. I hear it like it felt, I hear each thought, each separate layer of sound, but never the whole song…

Chatting to a friend recently about a pretty epic show that we had watched together  last year, he noted how critical I’d been on the night of each element that made up the show. I was blown away by the show, but there were so many elements that still needed work and the musician in me couldn’t see past that at the time and just enjoy what he experienced as perfectly awesome. I really wish I could just enjoy a show for the show’s sake without constantly over-analysing the elements.

But it comes with the territory, and being able to translate feeling into sound is worth any small frustration it may carry. And every so often there is a seamless show that truly blows your mind, a song that sneaks up on you and takes hold of everything you are and you forget for a second the elements that make it up and hear just the song. Every so often you forget the elements that make up who you are and you just are, you just listen, you get out of the way of yourself. I’m going to try to do that more often. In more than just music…

What I’m Listening To: Mumford and Sons

  

Mumford and Sons - Sigh No More

I don’t like the banjo. I can’t stand the sound of it. It’s whiny and pitchy and annoying. Unless it’s in a Mumford and Sons song. That is a completely different story. This band make me intensely happy. A few months ago I included them at #1 on my Top Ten albums of now and that hasn’t changed. I doubt it will. They move me with every passionate outcry and have, for now at least, claimed the all-time favourite spot in my heart.  

I stumbled across their awesomeness online in August last year and from the moment I heard the first few notes, they had my full attention. I ordered the album immediately and when it arrived on my doorstep a few days later, it was on endless repeat, as it still is now. Sigh No More is 12 tracks of passion and truth and ridiculous talent and I am obsessed. 

My favourite song from the album changes from time to time. There’s a moment in Little Lion Man that gets me every time I hear it, but at the moment Thistle & Weeds claims the title of favourite purely because it speaks to where I am right now. “But I will hold on, I will hold on hope…”. I’m sure this song has nothing to do with my struggle in an unforgiving industry, but “hold on hope” repeats in my head as I soldier on. I’m hoping to plot a little European tour for later this year if for no other reason than to see this band live, but for now they keep me good company as I hit the road again. Awake My Soul. 

“Spare me your judgements and spare me your dreams ‘cause recently mine have been tearing my seams. I sit alone in this winter clarity which clouds my mind… Plan your hope with good seeds, don’t cover yourself with thistle and weeds… Look over your hills and be still, the sky above us shoots to kill. Rain down, rain down on me… But I will hold on, I will hold on hope…” Thistle & Weeds, Mumford & Sons.

What I’m Listening To: Erin McCarley

Erin McCarley - Love, Save the Empty

I find it very interesting when I’m compared to other artists. It is especially interesting when I haven’t heard of them. There are some entirely uninspiring comparisons that pigeon hole me into that general class of female singer-pianists like “that chick from Evanescence” which has nothing to do with the music I play and more to do with the fact that, well, I play the piano, I sing and I’m a chick. But very often I’ve been exposed to new artists that I grow to admire as a result. Erin McCarley is one such artist.

An artist who opened at one of my shows in East London earlier this year (unequivocally South Africa’s version of John Mayer) compared me to her when we reconnected a few weeks ago. I have come to take anything he has to say about music pretty seriously, because apart from the fact that I find him irresistibly talented, he has proven to have impeccable taste (his Mumford and Sons recommendation being my find of the year). So I looked her up, was intrigued by the 30 second online samples and ordered the album, which just arrived and has been on repeat ever since.

The album is a perfectly impressive balance of subtle hooks and lyrical honesty. There are brief moments where she reminds me of one of my favourite artists, Fiona Apple (most notably in It’s Not That Easy), which is not surprising as she lists her as a huge songwriting inspiration as well. It’s a refreshing, well-produced album of elegantly written songs, and I am humbled to have been compared to her, and left inspired to produce an album even remotely as beautifully crafted.

You can check her out here: http://www.erinmccarley.com/

Fight A New Day

I cannot wait to get back into the studio in Cape Town to record the new album! Over the past few weeks I’ve been working on pre-production demos, chatting with my crew about recording plans for December (which is fast approaching), and ignoring the fact that I don’t have the cash to get to Cape Town, let alone record and release another album… but that’ll figure itself out.

Over the next few weeks, I’ll be in rehearsals with Dave McMillan (guitar) and Ray Goodfellow (bass), fine tuning the “oohs and aahs and kak” for the new tracks, and in December we hook up with my co-producer Tim Rankin (also on drums) to make some studio magic. One of the new album tracks is Fight A New Day – the last song I wrote for the record – which NoEyeDeer caught on film at a recent solo show in Durban… Let me know what you think!

www.noeyedeer.co.za

Filmed & Edited: Teight Productions • Photos: Geecee Photography • music.love

Billie Jean

I am not a covers artist. I never have been. I guess I’m stubborn that way. It would certainly be easier to make headway if every audience knew every song I played, but that is not why I perform. I’m a songwriter. I am not a covers artist. But every once in a while, someone else’s song finds it’s way into my world.

A friend of mine was helping me out with some promotion on my November tour to Cape Town last year and thought it would be fun to play a different cover at every show. Considering my standpoint on covers, her suggestion didn’t exactly go down well at first, but at that stage I considered any angle to make my mark, so I accepted. The only condition to this challenge, was that she would pick the song. So, this is how Michael Jackson’s Billie Jean ended up in my live set. At first I thought she had lost her mind asking a pianist to cover Michael Jackson, but when her business partner recommended that I listen to Chris Cornell’s version for a different take, I was hooked, and the rest is history. (Thanks Brenda!)

NoEyeDeer have had their eyes and ears to the ground in Durban, and have been doing a damn fine job of capturing the goings on of the local music scene on film. The lads were at a recent show in Durban and caught me playing what is now one of my absolute favourite songs to perform. Check out the video of Billie Jean below, let me know what you think, and feel free to share it. Then head over to NoEyeDeer’s facebook page for more radical video and photographic coverage of what’s going on in the Durban music scene, brought to you purely for the love of music. Much respect lads!

www.noeyedeer.co.za

Filmed & Edited: Teight Productions • Photos: Geecee Photography • music.love

Art Pop Defined

When asked what I do for a living, the question that follows “I’m a musician” is generally always the same: “What kind of music do you play?” Personally, I’m not a fan of absolute definition when it comes to music, but am guilty of asking the same question to musicians I’ve met so it’s understandable and to a certain degree expected. At its core, the music I write and perform falls into the singer-songwriter category (although this is most often perceived as a guitarist’s realm), and while it’s not mainstream commercial within a South African context, my album would fit quite comfortably into the “vocal” section of retail store shelves with the likes of Norah Jones, KT Tunstall, Sara Bareilles and Regina Spektor. But Vocal isn’t really regarded as a genre in South Africa.

My personal definition dilemma was solved by chance. When met with the “what kind of music” question at a book launch I attended last year, I stumbled around a few loose definitions before being interrupted by a journalist who, having recently listened to my album, offered up the term “Art Pop”. I connected with it instantly and have defined my music as Art Pop ever since. But that doesn’t tell you anything.

I say again, I’m not a fan of absolute definition when it comes to music. While I appreciate the need for definition to a certain degree, music is a subjective experience, and I think that the idea of putting it into a neat little box before you’ve heard it for yourself can be dangerous. The term Art Pop offers something to my dilemma that I really like. A certain level of mystery. Using the term generates conversation about the music, because not many people know what the term means. Sneaky. But to alleviate some of the mystery, perhaps a (loose) definition of the term is necessary. Art Pop is “popular music with artistic integrity”. That’s my definition anyway. Most likely derived or adapted from the term “Art Rock”, it is “not so much for dancing as for listening” (according to Wikipedia) with a slightly more avant-garde influence than more commercially produced music.

So there you have it. Kind of.

Top Ten Albums of Now

I am often asked what music inspires me, so I thought I’d throw out my top ten albums of the moment. This collection of radical beats is currently responsible for keeping me awake and entertained on the road. The full list of music that motivates and moves me is available on my PC in a ridiculously large folder called “My Music”, so this is but a small taste of the ever-changing sound that fills my space.

1. Mumford and Sons – Sigh No More

2. Regina Spektor – Far

3. The Hoosiers – The Trick To Life

4. Florence & The Machine – Lungs

5. The Fray – How To Save A Life

6. Audioslave – Audioslave

7. Fink – Distance And Time

8. Death Cab For Cutie – Plans

9. Feist – The Reminder

10. Emiliana Torrini – Me and Armini